Asa-P, Alexandra Bicheler, Noah Matsumoto, Milan Design Week, 2015
Click on images to link to website of each project
Maria La Torre Rubio, Hole, 2017
Alejandra Caldéron, The Liberation of the Kitchen, 2017
Merle Flügge, The Polymorphic Blanket, Still from Video, Milan Design Week, 2016
Merle Flügge, The Polymorphic Blanket, Screenshot Booklet, Milan Design Week, 2016
"…dreaming of breaking free from our capitalist systems feeding on lack …dreaming
of a new era of human-object companion-relationships…dreaming of creating new
aesthetics of the imaginary …learning from Artificial Intelligence."
Merle Flügge, The Schizophrenic Interior and the Aesthetics of the Imaginary.
Relics of a Post-AI-Revolution. Graduation Thesis, 2017
Thomas Galvan, The Next Evolution, Influencer, Still from Video. Graduation, Piet Zwart
Institute, 2018
Caio Vita, Imprecisely Human, Graduation Visual Culture, 2018
Merle Flügge, SupertoysSupertoys, Experimental Bookpublication, 2018
Katryna M. Curlionis, Cryobedience, 2017
A tale of the performing hand, Videostill, Sanne van der Ploeg, 2017
Chandelier, Lauren Brand, Anna Pech, Sami Hammana, Visual Culture, 2016
Francesco Mottola, Metasoft, 2017
Obsessive Cleaners, Kleoniki Fotiadou, Bianca Yousef, Milan Design Week, 2014
Julia Schostek, Pawel Szubert, Current Alchemy, 2016
Lorena Rubio Toledo, Alice Bonicelli, Radio Killed the Electric Star, 2015
SPF Sugar Protection Filter, Federica Dellisanti, Tinka Jongerius, Milan Design Week, 2015
Sofia Angelopoulou, Maria Fernanda Duarte, Trame Virtuali, 2016
Nancy Katri, Sanne van der Ploeg, Nao Sakamoto, Bac Up, 2016
Casa del Aquas, Albina Aleksiunaite, 2015
UNDER CONSTRUCTION
Further works from the departments Visual Culture, Lifestyle, MIARD, will be soon available.
Over the last five years I have been supervising graduation projects and thematic projects both in design matters and conceptual and theoretical context matters. Further, the seminars in critical strategies have influenced works in general, both at MIARD and also for the last four years by leading Visual Culture. Whereas the MIARD archive is avaiable at Archive of MIARD, some of the excellent work in other departments remains unaccessible online for the moment. Some selected works available at click on the link...
Graduation Projects
Thomas Galvan, MIARD, 2018
The White Beaches
Livia Stacchini, MIARD, 2018
Livia Stacchini, MIARD, 2018
Imprecisely Human plus Video
Caio Vita, Dept. Graphic Design, 2018
Visual Culture Graduation
Sami Hammana, Visual Culture, 2016
732-0006 Inscriptions to the Sonneveld House Museum
Natalie Konopelski, MIARD, 2015
Graduation Exhibition Website 2017
Merle Flügge, 2017
Alejandra Caldéron, 2017
Sofia Angelopoulou 2017
Blunders within Habitation. Satire on the Smart House
Bhoomchaya Prakongpetch, 2017
Nao Sakamoto, 2017
Alice Bonicelli, 2016
Pawel Szubert, 2016
Albina Aleksiunaite, 2015
Bo Baalman, 2014
Thematic Projects
Supertoys
Merle Flügge Master Student Winner of Research and Design Prize 2017
Merle Flügge, MIARD, 2016
Matteo Sandiglione, MIARD, 2016
Gil Baldwin, MIARD, 2017
Theodora Kalamatianou
Marta La Torre Rubio
Filippo Tartaglia, 2018
Marta La Torre Rubio, 2017
Alumna Research Prize
Natalia Saavedra Martinez
Milan Design Week 2016
Sofia Angelopolou
Maria Fernanda Duarte
Milan Design Week 2015
Wojciech Gawronski
Julia Schostak and Pawel Szubert
Milan Design Week 2014
Bianca Yousef, Niki Fotiadou
Natalie Konopelski, Marco Busani
Milan Design Week 2013
Giulia Cosenza, Joanne Choueiri, Milan Design Week 2014
Exhibition OPENING OPENING OPENING
at Galerie Kromme Elleboog, Rotterdam, 4-9 February 2016
The first year graduated from our Minor+ Visual Culture.
Supervision Project Visual Culture, BA Studies
Anne Tullemans, Danique, Rosa Wenzberg 2016, White Noise, Film Here
Interiors of Memories, by Joanne Choueiri, Graduation 2014
The narrative is a means for the creation of spatial experiences. It allows the reader to escape into another world constructed by the author. The fantasy genre that is known as " literature that is away from reality", generates these different worlds based on past models. Memories of a past,thus, become prominent for the production of a new reality. The project investigates personal memories as a source material for the production of new, fantastic experiences.
Built on the theoretical and artistic study of the fantastic genre, Luigi Serafini’s “Codex Seraphinianus”, and George Perec’s “Species of Spaces and other Pieces”, narratives based on memories expanded the limits of understanding of a space beyond its physical constraints. It enabled the generation of a set of rules for the creation of spaces based on memories.
Interiors of Memories is a collection of spaces based in the domestic that utilizes memories as a foundation for the creation of new forms of interiors. These interiors, fantastic in nature, attempt to redefine the existing programmatic functions of the home.
Graduation Show 2014 MIARD titled Fabrication of Atmosphere at Post-Office. Interiors of Memories, Joanne Choueiri. 2014. Photo: Aad Hoogendoorn
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